Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Angelika Kauffmann
Telemach auf der insel der Kalypso
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ID: 45153

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Angelika Kauffmann Telemach auf der insel der Kalypso


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Bildnis Mary Robinson | Elektra gibt ihre Schwester Chyrsothemis ihren Gurtel und die Locken des Orest fur das Grab Des Agamemnon | Maria mit dem Jesusknaben und Johannes mit dem Jesusknaben und Johannes mit dem Lamm | Nathaniel Hone Studie zu The Conjurer | Bildnis eines Aristokraten |
Related Artists:
BOUTS, Dieric the Younger
b. ca. 1448, Leuven, d. 1491, Leuven
August Querfurt
Austrian ,Wolfenbuttel 1696-1761 Vienna
Samuel De Wilde
British 1748-1832,English painter and etcher of Dutch descent. He was the son of a Dutch joiner who had settled in London by 1748. On 19 November 1765 he was apprenticed for seven years to his godfather, Samuel Haworth, a joiner in London. However, he left after five years and enrolled as a student at the Royal Academy Schools in 1769. He exhibited small portraits at the Society of Artists (1776-8) and at the Royal Academy (from 1778), where he also showed fancy pictures of banditti in the style of Philippe Jacques de Loutherbourg. But the genre that he made very much his own was theatrical portraiture: he exhibited theatrical portraits at the Royal Academy almost every year from 1792 to 1821.






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